Catherine’s writing has appeared in the best-selling Trudeau Albums (Penguin Books), The Globe and Mail, and Hoffman: Trabalhos Mais Recentes, an exhibition catalogue for the Gulbenkian Museum. She holds a M.A. in history from McGill University and has been published in academic journals and anthologies of Canadian history, including The British Journal of Canadian Studies and the Canadian Historical Review.
With a current focus on copywriting, she has conceived of and delivered content for multimedia projects, websites, television and radio, press releases, business plans, and promotional collateral.
Review: Cinema of Pain: On Quebec’s Nostalgic Screen, Liz Czach and André Loiselle, Canadian Historical Review, March 2022
Review: Visual Culture at the Banff School of Fine Arts, Pearlann Reichwein and Karen Wall, Canadian Historical Review, December 2021
Review: John Lennon, Yoko Ono, and the Year Canada Was Cool, Greg Marquis, Canadian Historical Review, September 2021
Review: In Search of Expo 67, Monika Kin Gagnon and Lesley Johnson, eds., Canadian Historical Review, June 2021, Vol. 102, No. 2
Review: Landscape Architecture in Canada, Ron Williams, British Journal of Canadian Studies (Liverpool University Press), Spring 2016
Review: Making Toronto Modern, Christopher Armstrong, British Journal of Canadian Studies (Liverpool University Press), Spring 2016
“My Own Private Trudeau”, originally published in The Globe and Mail, Donald Wright, ed., Canadian Studies: An Introductory Reader (Kendall-Hunt, 2004)
“My Own Private Trudeau”, Globe and Mail, October 18, 1999
“Promoting Prophylactics: The Birth Control Society of Hamilton’s Very Public Profile”, in Ontario History, (The Ontario Historical Society), Spring 1998 [peer reviewed]
“Eager Eugenicists: A Reappraisal of the Birth Control Society of Hamilton”, in L’Histoire Sociale/Social History, (University of Ottawa Press), May 1994 [peer reviewed]
An Unwitting Distortion: An Interview with Uno Hoffmann”, in Hoffmann: Trabalhos Mais Recentes, Exhibition Catalogue, Gulbenkian Museum of Modern Art Lisbon, 1990